Wednesday
Sep122018

"The Mongrels" in Joyland Magazine

Sean Gill's "The Mongrels," a morbid fantasy set in the Midwest, has been published in Joyland Magazine.

Founded in 2008, Joyland Magazine has featured work by Roxane Gay, Zinzi Clemmons, Lydia Millet, Amelia Gray, and Ottessa Moshfegh.

Thursday
Sep062018

"Cranberry's Last Dance" Chosen as one of the Finalists in The Lascaux Prize in Flash Fiction

The Lascaux Review has just announced that a reprint of Sean Gill's short story "Cranberry's Last Dance" has been chosen as one of the winners of their 2018 Prize in Flash Fiction. It will appear in print in their next volume, The 2019 Lascaux Prize Anthology.

Sunday
Aug192018

"The Computer Man" in a new anthology from the Fiction Desk

Sean Gill's short story "The Computer Man"––which was co-winner of The Fiction Desk's 2017 Flash Fiction Competition––is now available for purchase in print as part of the anthology, And Nothing Remains. The Fiction Desk is an independent publishing house based in England; And Nothing Remains is their twelfth anthology.

Saturday
Jul072018

Sean Gill Reading at Lyrics, Lit, & Liquor in Manhattan on 7/18/18

Sean Gill will be reading one of his short stories at the next installment of the reading series Lyrics, Lit, and Liquor, at 7:30 p.m. on July 18, 2018, at 2A Bar (27 Avenue A, between East Houston and East 2nd Street). There will also be readings by Christie Grotheim, Colin O'Brien, and Scotty Weeks; music by Lois Dilivio, Joseph Imhauser, and Siuyen Joa; and comedy by Amanda Miller and Lois Dilivio. The theme of the evening is "One Hit Wonders." This is a free event.

Friday
Jun012018

"For Want of a Better Word" in The Cincinnati Review

Sean Gill's short story "For Want of a Better Word," which won the 2018 Robert and Adele Schiff Award in Prose, is now available for purchase in print in Volume 15, Issue 1 of The Cincinnati Review.

Fiction Editor Michael Griffith writes, "Sean Gill’s excellent 'For Want of a Better Word' begins with a clever premise—a lab assistant inventing words for an experiment in artificial intelligence—and then does ingenious things with tone and timespan to make that premise far more than merely clever. The result is a surprising, touching, funny, and bittersweet story about the ways being smart can help us, and the ways it can’t."